Description
Sir Tad is back with his third album, Generation Joint, a 22-song double album of lofi dubby bubbly-keyboard 4 track tape haze psych pop, clocking in at 69 minutes. For the non-stoner, a “generation joint” is a joint rolled from the leftover roaches lying around. Smoking it can be a special occasion because it represents “generations” of smoke sessions and different strains, time spent with friends and family.
For this album, Sir Tad dug through twenty years of recordings: cutting up jam sessions, building upon old tape loops, or returning to old songs and finally landing on a finished version, he takes these musical “roaches” and rolls them together into a generation joint twenty years in the making. Gear-wise you can expect the usual array of instruments such as cheap keyboards/organs, tape players, tape loops, melodica, autoharp, mandolele, drum machines, all recorded to Tascam Portastudio 4-track cassette tape.
The music is woven with voice samples, sometimes found sound but mostly culled from Sir Tad’s personal family tapes, thus folding & flattening time so four generations are in conversation with each other, blurring past, present, and future.
Generation Joint is also a fun, smiley, BRIGHT album, as reflected by the colorful album cover, a handpainted paper collage by Pearl Morgan. Physical tapes released by DNT Records in an edition of 54, pro-dubbed C70 cassettes on purple swirl shells & smokey case, full-color artwork.
Review:
“Spanning twenty-two tracks, Generation Joint is a sprawling exploration of sound and the way in which they connect to our own individual memories as well as ones that we share with others close to us. The whole album is built from the various pieces of media that Tynan (under his moniker of Sir Tad) had collected from the early 2000s up to the present day. The pieces were arranged together into the form we hear them and recorded to a Tascam four-track recorder. The result feels much like the audio equivalent of a scrapbook or a quilt. Seemingly random pieces are connected together in a pastiche on a canvas of light static. It’s an assortment of fuzzy memories that are decontextualized from their original occurrences and put together in a treat of consciousness manner, much like the random recall our brains seem to engage in when otherwise idle. It’s quite a beautiful approach.Now, these aren’t just pieces of voice or other noise. There is a tonal element to all of it that changes from track to track, but this musical piece feels like a backdrop for all the other stuff that’s going on. The music ranges from simply chord loops to more involved and complex multi-instrument stuff. A lot of it feels kind of playful though, like on “Don’t Get the Wires Wet.” There’s a lot of vocal stuff pulled from what sounds like a home video recorded with an old camcorder. But the music behind it feels whimsical and playful, as if it was pulled from an obscure and low budget children’s cartoon. Other tracks feel like things might have been pulled from classical music or maybe just background music from an old advertisement. It makes for a rather confusing listen, but one that is dynamic and difficult to predict, giving a very free association kind of vibe. I particularly enjoyed this variety in tones as we are taken on a rather instructed trip down someone else’s memory lane. ” – On the Fringes of Sound
www.onthefringesofsound.com/2025/08/sir-tad-generation-joint.html
released August 4, 2025
Recorded 2005-2025 in California and Ohio, across four generations, to Tascam Portastudio 424 4-track cassette.
Sir Tad is the solo project of Tynan Krakoff.
Album artwork by Pearl Morgan
Comes with Bandcamp code
